Wednesday, November 30, 2016
Wednesday, November 16, 2016
Thursday, September 8, 2016
The Wedding Carver
The
Wedding Carver
Or
Have
Knives, Will Travel
Being retired from gainful
employment has its advantages and its drawbacks. The main drawback is that, my
fixed income (yes, I’m on one of them) is trying to extinguish my cavalier
flame of living large and tipping big, and I hate that. It has a lot to do with
the amount of money that I don’t have
for extended periods bellied up to a bar or letting someone else cook for me at
a fine dining establishment. And, it has to do with my inability to leave my
hard driving, freewheeling, ‘there’s plenty more where that came from’
personality behind with my hairline, waistline and twenty-twenty vision.
Therefore, I’ve taken
random employment; one of my gigs is cutting up dead animals at special event
gatherings such as rehearsal, wedding and company awards functions.
Tonight, it’s a wedding
with all the stops pulled out at one of my favorite French Quarter restaurants.
I won’t mention names, but it’s a place that, I tell folks, can furnish
anything you want and can afford.
From an intimate private dinner for two, to twelve hundred of your closest
friends, you can get anything that you’re willing to pay for, from piped in
music to sixteen pieces of guitar slamming, horn playing rock your sockers
metal head maniacs. Ice sculptures that dispense martinis, flame throwing
dessert stations, low, medium and high grades of alcohol. Do you want fireworks?
Second lines? Mystics and mind readers? Clowns? Would you like the friggin’ circus?
Do you want passed hors
d’oeuvres, sit down dinners, buffets, oyster shuckers or a person or two to
slice meat thinly, smile broadly and be ready to cut the cake when the time
comes?
Tonight ‘s wedding is all
of that. The band commands such a draw on the electrical output of the place
that the air conditioning (after running at full capacity all day) is cut off.
I’ve come to naming functions; this one is the ‘women in tight clothing and men
with powerful credit cards’ types. But it will only be a more sophisticated
version of the ‘women with braided armpits and men with little dental work’
functions that I’ve worked elsewhere.
First to arrive, by a good
forty-five minutes, is the parents of the bride. Madame explains that the groom
is ‘allergic’ to alcohol and will be drinking ice tea, Red Bull and ginger ale.
I wonder if that is a new concoction or his actual menu of choices. Then Mama
checks out seating places for the elderly, is assuaged by the marketing manager
and witnesses the arrival of the flowers, which to me look like they’ve been stolen
from a funeral parlor.
Now the chandeliers are
being lit, candles line the entranceway and the ‘thirty minutes before’ icing
down of the liquids that require it. The party starts at six after the
ceremony; passed appetizers until eight, food (including two carvers) in two
rooms from six to nine, band starts at seven and stops at ten. There are two
meetings with management and staff to co-ordinate the function. Extra furniture
has been stored in rented trucks and, of course, nobody shows up until six twenty-five.
I am in the second room
with a sixty pound haunch of beef, five-hundred volts of heat lamps and knives
honed to deadly edges, my co-carver is in the next room with access to a half a
dozen deep fried turkeys.
Here they come; a random
husband (Jack) hits the bar for drinks for him-n-her, drops off hers (Jill) and
heads back to the bar for another for himself…there’s gonna be a heartache tonight.
Terminally thin women start with Cosmopolitans, Aunt Ruth and Uncle Maury want
to know if there’s any coffee, the groom’s friends that never learned to dance
or dress and the bride’s friends that did begin ungainly mating rituals.
Lawyers and Dentists in seersucker (Dentists have suede shoes) arrive; Doctors
in white linen, older women in two piece suits, younger women in strapless
whose breasts don’t quite fill up the cups and the requisite ‘Parachute Woman’
promenade the rooms looking to be looked at. And me cutting up dead cow.
A buddy of the groom has
brought his own thirty two ounce cup that he wants filled with Jack and Diet,
uh oh, and young Jack is on his sixth beer this hour. He’s telling a group of his
peers jokes that only he finds amusing, his peers are more amused by him and
his condition. His wife has given up on him and has joined a coterie of the
thin ones that won’t be having any dinner.
You can tell that the
newlyweds have had a long relationship;-- she starts drinking and he fills his
plate to capacity.
The door to the courtyard
is on a spring strong enough to stop the charge of a water buffalo and some of
my amusement will come from the imprisonment, between door and jamb, of young
children, the frail and inevitably…the bride’s train.
The photographer hits the
buffet about an hour and a half in; the band will hit us at break time. You can
tell the band because they are dressed better (or worse) than the guests and
they’re not fooled by fillers like potatoes, jambalaya or fish. They hit the
raw bar and the protein (not the pate though) and of course the alcohol. I just
keep cutting.
The band takes a break for
the toasts. Uncle Maury, who’s been yelling his conversation because he’s half
deaf, winds us up with “and the man hasn’t held a decent job in thirty
YEARS!!!”
Then, the testimonies: A teary
eyed pair of young women: “Trish and us
have been best friends since third grade and, like, we’ve never seen her
looking soooo HAPPY!” The kid brother; “I brought them together…” The
Father: I’m sure that they’ll be as happy
as her Mother and I have been”--- (right). The Buddy “I remember the night Keith came home and told me: ‘I’ve met the woman
that I’m going to marry”, The older brother “At least now she’ll have someone else to fight with!” And on and
on.
Then cut the cake (never
smooth going), smear it in each other’s faces (like that hasn’t been done before), a thousand photos (and selfies),
throw the bouquet (that weighs twelve pounds) and every one second lines out
except the six or eight that want to close down the bar. Too late, things are
wrapped, stacked, put away, closed and already the crew is moving tables for
tomorrow night’s functions. One room is having a sit down ‘Divorce Dinner’ for
48 people; the other room has a wake with a replica of the deceased in potato salad. Sic transit Gloria mundi.
Central Grocery
Central Grocery
If I were sight impaired and someone walked me through those
doors I would know the perfumed vapors of an old timey Italian market. They’re
the smells of garlic, olives, cured meats, hard cheeses and old appetites
satisfied. It is an olfactory equivalent of being wrapped in your grandmother’s
wool shawl on a cool autumn night; yummy, secure, safe. Linzalone’s in old Chelsea,
Molinari’s in North Beach, Central Grocery in New Orleans.
I
recently sat down with Tommy Tusa, third generation owner/operator of Central
Grocery at his shop at 923 Decatur Street in the French Quarter. As we all know,
Salvatore Lupo (Tommy’s grandfather) is said to have been the originator of a
more than extraordinary sandwich, a sandwich that is as indicative of New
Orleans as the Mississippi River: The Muffuletta. Tommy is tall and trim and,
if such a word can be used, dapper in appearance. His age is nebulous; he
appears to be ten years either side of fifty years. He and his cousin Frank
Tusa run the day to day operations. Like all true Sicilians, Tommy talks as
much with his words as with his facial and physical expressions. We sit at the
far end of the eating counter, he, of course sits where he can see his
employees and the action.
PL:
First of all, can we tell everyone, once and for all, what is the proper
pronunciation of the sandwich?
TT:
Muffuletta, pronounced “moo-full-lette-tah!”
People call it a lot of other ways; we don’t really care, as long as they want
one.
PL:
And the name means?
TT:
From what we can make out from the stories that my mother tells, it probably
came from a baker named Muffuletta and was called Muffuletta bread long before
we started making it into a sandwich.
That’s as much as we can make out, we don’t know if it’s true but it
stands to reason.
PL:
How did the store get started?
TT:
My grandfather, like a lot of Italian immigrants, came here and worked in the
grocery business. In 1906 he opened his own grocery about a block away and in
1919 bought this property and opened this (gestures). The Market workers used
to come in and buy the ingredients for the sandwich from us, then they’d go
outside and buy some bread from a pushcart, sit on barrels and such places, eat
the bread (tearing motion) and ingredients. Then my grandfather got the idea of
making the sandwich. There were at least six Italian bakeries in the Quarter at
the time; in fact there were shops like
this all throughout the neighborhood.
PL:
This used to be a large ethnic neighborhood. Do you ever see that coming back?
TT:
I remember like it was yesterday, the ice house, the fish markets; no, I don’t
see it ever being the same. My father was raised in the French Quarter. It was
a real neighborhood up until about 1950 and then it started to change. Now what
we have here (indicates the street) are these street people; they sit outside
panhandling, they camp out at night and you have to clean up after them in the
morning, their garbage, food scraps, beer cans. You have to chase them away
during the day “you can’t sit here, you
can’t sit here” you’ve got to keep telling them. They’re ruining businesses
and no one is doing anything about them.
PL:
I was told that it’s their first amendment right.
TT:
(raised eyes) Yeah, the ACLU…. What about
our rights?
PL: Onward.
Your mother wrote a cookbook? (1980 Marie’s Melting Pot)
TT:
Yes, my mother and my two grandmothers; it took three or four years. Writing
recipes, testing them and cooking, cooking. I remember the stories, my mother
tells all the old stories, I know those
stories. My mother lives in Covington, she’s 103 years old and frail so she
doesn’t do interviews… obviously.
PL:
Any thoughts on retiring? Any other family members coming in?
TT:
I’ve worked here since 1970 so that’s forty-five years; no, there’s me and my
cousin and there’s no other generation coming up behind us. Besides, what would
I do if I retired (shrugs)? Stay at home and be bored?
PL:
Were you looted during Katrina?
TT:
Yes, all the businesses were. We opened after three months, and one day after
that, Jim Belushi came in and saw that his picture was still on the wall and he
pointed and said “well, at least they didn’t get me!!” We get a lot of
celebrities in; I’ll show you the photos. Goodman (John) loves the Muffuletta;
he can’t eat it here because they (gestures at the customers) won’t leave him
alone.
PL:
How many sandwiches have you made?
TT:
on a busy day we’ll make about five hundred
PL:
So you’ve made a million Muffulettas
TT:
More than one million. A few million,
at least. We’ve been in business over a hundred years (looks at me to indicate
that I should do the math). And we ship. Overnight, next day delivery.
PL:
What do you see as the future?
TT:
Kids these days, they don’t know how to work; you have to tell them over and
over how to do the same thing. You tell them to stay off their cell phone and
then (making an imaginary call at waist level) you see them in the corner. I’ll
tell you a story; when I was just starting working here, one day I made myself
a little sandwich and sat down; my uncle came up to me and said “what are you doing?” and I told him. He
said (slightly raising his voice) “Hey!
You don’t eat here, you eat at home, after you get off; now, get back to work!”
And that’s the way it was. Nowadays…
PL:
When I was a kid, I had a friend named Rocco, my mother used to call him a
“Bacciagalupe”. When I asked her what that meant, she would just point at him
and say “Him, he’s a Bacciagalupe!” Do you know what that means?
TT:
(laughing) Yes, I’ve heard that word; I think it means wiseguy or weirdo or
some such character.
PL:
Now, here’s the big one; what advice would you give young folks coming up? What
advice do you give your children?
TT:
I have two daughters and grandchildren. What would I say to them? (looks
heavenward and then into my eyes). I would say “Do whatever you do to the best of your ability. Do it well; and never
never give up. Never let anyone discourage you!”
And
then, like a true business owner, he shook my hand, thanked me and said: “I’ve
got to (indicating the sandwich counter) get back to work.”
Monday, August 1, 2016
Real New Orleans Food
I step up the five steps to an unremakably seventh ward half shot gun double and knock on the gated front door. A small elderly woman peeks out and asks what I want. "Somebody told me that y'all have Huckabucks here" I say with the degree of politeness reserved for traffic cops, petulant cashiers and the elderly in general. "Oh, sure" she says "What kind do you want? I got......." and she names about a dozen flavors. I ask for a cherry and a pineapple and inquire about the price. "Oh, fifty cents each and that will be..... a dollar" She holds out her hand for her money, which I give her and she asks if I want them in a bag
Po
Boy Views
By
Phil
LaMancusa
Real
New Orleans Food?
Here’s
the questions: What is real New Orleans
food, is there a real New Orleans
food and how would any one of us know it --- if it were a snake would we bite
it back?
The
answers are afoot when I go to John and Mary’s on Orleans Avenue for a boiled
turkey neck, McHardy’s on Broad Street for fried chicken, the Orange House for
Ya Ka Mein and/or over in to the Seventh Ward to find an African-American
grandma selling Huckabucks (ice cups) from her kitchen doorway for fifty cents.
Real New Orleans food is going to Galatoire’s for Crabmeat Ravigote; Pascal
Manale’s Barbecued Shrimp, eating Tujague’s Oysters en Brochette and a fabulous
Ribeye at Crescent City Steak House.
Real
New Orleans food is found at fancy places and filling stations. From the Calas
at Elizabeth’s to the Creole Cream Cheese at the Crescent City Farmer’s Market;
from Lafcadio Hearn to Sara Roahen. Above all, real New Orleans food is an
attitude; Mirliton is New Orleans, Chayote is Mexican… although they’re the
same vegetable. Real New Orleans food goes back nearly three centuries and is a
gumbo of influences.
The
Creoles subsisted on seafood from the Gulf, lake and river; the early Germans
at Des Allemandes kept us alive with their farming and dairy products, they
handed us our first charcuterie. The indigenous peoples taught us to make
hominy, Tasso and the use of powdered sassafras leaves (file); the French
brought their cooking methods and terminology; wheat came down the river to
make our roux; the Africans came and farmed rice (“YaYa” in their language) and
brought okra (quingombo) to our pots; the Spanish gave us the ham (jamon,
jambon) for our Jambalaya and from a common ancestor in Peru came red, black,
white and pinto beans. The Cajuns? Well, the Cajuns have kept us in touch with
our rural and rustic roots.
This new land
of ours gave back to the world: chili
peppers, tomatoes, corn, potatoes, chocolate, tobacco, squash and vanilla; we
in New Orleans adopted celery, artichokes, thyme, coffee beans, sugar cane,
bananas and bay leaves. We made them our own. We took in and we gave back; and,
real New Orleans food is a product of Spanish, French and African cultures with
influences of the Germans, Italians, indigenous peoples and settlers making do
with what they could find, forage and figure out. Slaves bought their freedom by
selling foodstuffs in the streets of the French Quarter; businessmen became
rich importing ice to keep it fresh, housewives traded collards for courgettes
over back fences and Caribbean cooks added a pinch of cayenne to our everyday
dinners. Many cooks did not spoil the soup; they just turned it into gumbo.
Put
aside for a second what our visitors dive into: red beans, gumbo, jambalaya,
etouffee, remoulade, beignets, pralines, bread pudding, poboys--- those are
native to us--- baked in, so to speak, second nature to us and only are window
dressing to the real meat of what sustains us as a people. Try also to ignore,
for now, the ‘newer’ ethnic oriented foods that, happily, has diversified our daily
eating habits in the last, say, two decades (something that newly arrived folks
may not realize), foodstuffs that were once novelties that are now mainstream:
Vietnamese, Hispanic and Middle Eastern. It used to be that you couldn’t find
sushi here with a Geiger counter; now, pretty young things are having it for
breakfast at Whole Foods (another come lately business). These I consider no
less than real New Orleans food, just newer
New Orleans food; updated, expanded, and modified from the old to the new---
the eat goes on.
I do question that ‘modern’ ethno fusion locality
ingredient driven over-fussy and unnecessarily complicated works of art that
pass for high end food nowadays; terrific to look at, hard to eat and harder to
remember except that they contained weird animal parts and far too many
garnishes. But that might just be me, I’m sure it has its place; after all, in
1722 after the ‘Petticoat Rebellion’ when Madame Langlois (Governor Bienville’s
housekeeper) taught our founding mothers the recipe for pecan stuffed squirrel,
I’m sure a few eyebrows raised as well..
New
Orleans, known to visitors for our affinity for music, food and booze has
become polarized four square by conflicting if not confusing messages that are
sending visitors running to our culture pundits for explanations as to our
definitions as New Orleanians as to what is really real New Orleans and what is not. Let me say this about that: Music
and alcoholic drinks are a subjective experience and give rise to opinions
that, like noses, vary from face to face, person to person; I cast no
aspersions toward tastes in those areas; although I have my own opinions, I
mostly keep them to myself.
When
we talk New Orleans food, however, I’m ready to get ‘real’, I’m prepared to get up into some ‘grill’: New Orleans food is like a religion to us here and what we
eat on any given day can be classified as such; all the food we eat here is
good food (I should hope so) but it’s either New Orleans food or it’s not. It’s
found in the components that we swear by: Camellia Beans, Crystal Hot Sauce,
Pickled pork, smoked sausage, Mahatma Rice, CDM Coffee and Chicory and greens
of every description. It’s found in the onions, celery, bell peppers and garlic
that no home is ever without. It’s found in Steen’s Cane Syrup, Zatarain’s Fish
Fry and our own special secret spice mixtures. Real New Orleans food has always
been based on us being locavores and we were slow cookin’ (and slow dancin’)
before ‘Slow Food’ became cool and a convenient catchword.
Our
food rituals set us apart as well; red beans on Monday, King Cake at Carnival
time, Reveillon dinners around Christmas, Gumbo Z’herbes on Holy Thursday, oysters
in months with a ‘R’ in ‘em and that grilled pork chop sandwich from the back
of a pickup truck at a second line winding through the Treme.
Real New Orleans food is eaten all day and all night,
washed down by cold beers and conversation. In the street or at the table, with
smiles and camaraderie; the scent of smoke like perfume amongst the Jasmine,
magnolias and sweet olive comin’ over the fence tells you that a neighbor will
be over soon to invite you for an impromptu ‘cook out’ before a Saints game.
Our gumbo is “too thick to drink, too thin to plow”; our boiled seafood brings
burn to your lips and sweat to your brow; the tropical fruits from Mr. Okra’s
truck perfectly ripe; that praline stuffed beignet from Loretta’s having your
eyes roll back in your head. There is
nothing superficial or elusive in Real New Orleans food and it cannot be had
anywhere but in New Orleans: have a Muffuletta in Des Moines? Not on a bet!
Call it the heat; call it the humidity; call it the water. Call it my
stubbornness; I’ll have Enchiladas, Pad Thai, Pho, Frankfurters, Falafel, Paella
and Pizza in Pittsburg, Pensacola, Flushing and Fargo; I will eat Ban Mi in
Boston, Green Eggs and Ham with a goat on a boat BUT… I will save my crawfish
cravings for the Crescent City--- and only in season.
Wednesday, July 27, 2016
Sunday, July 24, 2016
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